Tag Archives: graffiti

FBI Investigating Fire and Anti-Obama Graffiti in Kentwood

'Die Obama' Graffiti Near Fire in Grand Rapids

Yesterday, the Grand Rapids Press reported that the FBI and the ATF are investigating a fire and three instances of anti-Obama graffiti in Kentwood. According to the newspaper and other media reports, graffiti was found on three homes, including the one that was burrned. The graffiti read “die oboma [sic].” The newspaper reports that all of the homes targeted were occupied by African-Americans and WOOD TV 8 reported that at least two of the homes had Obama signs in their yard during the election.

The FBI is not calling the fire a hate crime and the Kentwood fire inspector has not ruled out all accidental causes.

Racial Attacks and Harassment since Obama’s Election

Since his election in November of last year, there have been several instances of anti-Obama graffiti mixed with racist symbols. Earlier this month, media in Texas reported that he Secret Service was investigating graffiti of Swastikas and the phrase “Obama will die” on homes under construction .

The Southern Poverty Law Center–which tracks racist groups–says that in the wake of Obama’s election there were over 200 racist incidents. These have included graffiti, harassment, and assaults.

Earlier this week, the federal government announced a plea in the case of a man attacked three African-Americans on election night. Ralph Nicoletti will serve twelve years in prison for the assaults.

Interview with Local Graffiti Website

graffiti in grand rapids (photo)

The website Equalized.org has been part of a project documenting graffiti art in Grand Rapids since May of 2003. With the project reaching the four-year mark, a Media Mouse contributor conducted the following interview with Equalized.org.

Now that your project has reached four years, it seems appropriate to reflect on both the original impetus for the project as well as evaluating its success or failure. What were the original goals for the project and how successful do you feel it has been?

Equalized.org was really born in late 2002 out of conversations that some former graffiti artists and friends were having about the history of the graffiti scene in Grand Rapids and how much of our collective history had been covered up by the city’s streets and sanitation department. Following these conversations, a few of the folks started going out and taking pictures and uploading them to a free website service. This was done with the understanding that if we did not document this subculture, its history would be written by the media and the police, neither of which were going to portray graffiti in a favorable or even realistic way.

With relatively little advertising, the site launched in May of 2003, coinciding with a significant increase in graffiti starting in the spring and summer of 2003 and running through the summer of 2004. The initial small group more or less fell apart after folks left town, but the project has continued with the help of folks that contribute photographs.

Aside from documenting graffiti and street art, we certainly hoped that it would encourage a more sympathetic and understanding view of graffiti among the larger community in Grand Rapids. With respect to that goal, the project has certainly failed because there has been little effort to advertise the site and it is consequently visited primarily by graffiti and street artists in and outside of Grand Rapids.

Another hope was that the site would facilitate an increase in quality of graffiti art in Grand Rapids, but I would say that effort has failed as well. I’m not sure how much influence we can really have on artists, especially given the distance that we maintain from the scene (we don’t do graffiti or street art), but we had hoped that having a collection of pictures to compare oneself to would encourage artists to improve.

One of the things that we have been interested in is the way in which the local media has reported on graffiti in Grand Rapids. Could you comment on that and discuss any interactions that you have had with the media?

We have received a number of requests from the media, many of which centered on the “graffiti crackdown” in 2005. Various local media outlets wanted us to get them in touch with some of the more hyped artists in the media, specifically MEEK and REN. Even if we had known who those artists were, we would not have given their information to the media. We emailed back and forth with a reporter from the Grand Rapids Press who asked us to respond to a bunch of erroneous information that he had received from the Grand Rapids Police Department for a follow-up story on graffiti in Grand Rapids in the wake of the arrests of five artists. The reporter was unwilling to quote us and instead ran a sensationalized story blaming “punkers” for graffiti and relying exclusively on the police perspective.

Overall, graffiti has been portrayed in a sensationalized manner with stories giving the impression that the community is under attack by graffiti artists. Of course, this is ridiculous on a number of different levels, both in terms of the actual prevalence of graffiti, which really is not very widespread, as well as in relation to other social problems. Other issues affecting urban Grand Rapids including racism, homelessness, and gentrification, all of which are a much greater threat to people living within the city are largely ignored. Instead, we get the semi-annual articles on the news explaining that “taggers” are defacing property left and right. It’s not to too surprising, as these anti-graffiti stories fit into an overall media context of hyping crime, scaring viewers, and criminalizing youth.

None of these stories have talked about the origins of graffiti or its connections to hip-hop culture.

Have you had much interaction with local law enforcement? Have they shown any interest in the site?

No, we have had no interaction with local law enforcement. We know they look at the site based on our website logs and comments they have made in the media, but we have not had any contact with them. There was a blogger over at G-RAD.ORG who was stopped by the police and questioned about graffiti for taking pictures downtown, but we have never been subjected to the same treatment.

You mentioned that the local media has ignored the historical context from which graffiti emerged. Could you talk a little bit about this history? I think a lot of people see graffiti simply as random scribbles rather than as a distinct subculture with a number of unique identifying features.

Graffiti started in the 1970s on the east coast, with the first artists emerging in Philadelphia or New York City, I’ve not seen a definitive statement as to where it actually began. At any rate, graffiti grew into what it is today in New York City, where artists painted on subway trains and abandoned buildings, developing the various stylistic elements that exist to this day–”tags,” “throw-ups,” and “pieces”–each of which have their own conventions within the graffiti scene. Graffiti came into prominence in New York City as a component of the emerging hip-hop culture, being one of the “four elements” of that scene, joining break dancing, DJing, and rapping. Hip-hop as a whole emerged out of a rapidly changing urban community in New York City, particularly around the construction of the Cross-Bronx Expressway and the resulting displacement. Of course, this history is rarely related in stories about graffiti.

In looking at social movements around the world and in the United States, there is a history of movements using graffiti and street art as a means of political expression. However, it seems like graffiti in Grand Rapids does not have a relationship to any political movement. Does such a relationship exist and why?

Graffiti and street art in Grand Rapids is by and large not political. You might see the occasional anti-Bush stencil, but for the most part, there is no connection to politics. You could argue that graffiti and street art are inherently political because they challenge concepts of property and ownership, redefine public space, and are an oppositional subculture, but making such a statement would be pretty dishonest. For the most part, graffiti in Grand Rapids has no roots in politics.

Nazi Gang Graffiti in Grand Rapids’ Belknap Lookout Neighborhood

A number of swastikas, appearing either alone or with the letters “NLR” have been observed in Grand Rapids’ Belknap Lookout neighborhood. The “NLR” letters stand for “Nazi Low Riders” and are a reference to a prison and street gang that has its origins in California’s youth penal system. While it is impossible to say if the graffiti indicates the presence of an actual group affiliated with the Nazi Low Riders, it is the second time in the past several months that a wave of Nazi graffiti has been documented in Grand Rapids. In October of 2006, graffiti associated with the white supremacist White Aryan Resistance movement was documented in downtown’s Heartside neighborhood.

As is the case with all neo-Nazi and white supremacist activity, the graffiti should be taken seriously, especially in light of the Nazi Low Riders historical involvement in violent attacks against people of color. In March of 1999, two members of the Nazi Low Riders in Lancaster, California murdered an African-American Wal-Mart employee with a screwdriver. In 1996, another Nazi Low Riders member beat an African-American teenager as part of a “mission” to “rid the streets of Lancaster of African Americans.” A similar attack took place in 1996, when five members of the gang attacked a 12-year old Hispanic male in a video arcade. Multiple attacks took place in 1995, with members attacking two African-American teenagers with machetes, bludgeoning an African-American homeless man to death, and firing a gun at car occupied by African-Americans.

The group was formed in the late 1970s by white supremacist John Stinson, himself affiliated with the Aryan Brotherhood prison gang, at the California Youth Authority at the Preston Youth Correctional Facility in Ione and at the Youth Training School in Chino, California. Until the 1990s, the Nazi Low Riders functioned as middlemen for the Aryan Brotherhood and engaged in criminal operations affiliated with that gang, but took a more prominent role in prison violence and the drug trade following aggressive law enforcement targeting of the Aryan Brotherhood. In addition to violent attacks towards people of color within prison, members of the Nazi Low Riders have been active in the drug trade and have been especially active in the production and distribution of methamphetamine. The group has spread eastward throughout the United States as members have been paroled, although its stronghold remains in California. Estimates of membership exceeded 1,500 before a crackdown on several of its leaders in 2003. It has also formed alliances the Public Enemy Number 1 white supremacist gang and other racist gangs.

Despite occasional violent attacks, the Nazi Low Riders are not an overtly political gang according to research done by various law enforcement agencies, the Southern Poverty Law Center, and the Anti-Defamation League. These entities have found that while white supremacy is a component of the Nazi Low Riders’ activities, they are more of a criminal enterprise than an ideological one. NLR members rarely have ties to the political racist movement, exemplified by groups such as the Ku Klux Klan and neo-Nazi groups such as the National Socialist Movement, nor do they have ties to the more political skinhead gangs such as the Hammerskin Nation. However, members are required to demonstrate “loyalty” to the white race, occasionally through violence against people of color. Interestingly, the group has allowed Latinos to affiliate and has made alliances with Latino gangs, although Latino members allegedly must be “half Caucasian.” The white supremacist movement has also been skeptical of the Nazi Low Riders and has frequently rejected them for being reckless and lacking a coherent ideology, while others have said that there is “nothing Nazi about them” and bemoaning the fact that Nazi Low Riders simply “hate black people” rather than articulating a developed ideological framework.

In addition to previous incidents of Nazi graffiti in Grand Rapids, it is important to place the Nazi Low Riders graffiti within the overall context of activity by the racist right in West Michigan. In recent years, local groups affiliated with the National Socialist Movement, the National Alliance, and the Council of Conservative Citizens have distributed racist literature and organized demonstrations.

Graffiti Website Redesigned as Graffiti Declines in Grand Rapids

The Grand Rapids Graffiti and Street Art website has been redesigned even as graffiti continues to decline in the city. The days of the Grand Rapids Police Department talking about draconian measures such as requiring arrested artists to wear electronic tethers or prohibiting the sale of spray paint as part of an organized graffiti crackdown appear to be gone, with artists instead getting caught based on the contents of their profiles on social networking websites and the places once favored by artists being rapidly gentrified. The photographs collected on the website portray an art form that is far more complex than what is described in the media, where graffiti writing is reduced to being simply “graffiti” as poorly scrawled names around the city. Moreover, the media’s overly simplified portrayal of graffiti has shaped the discourse into one of crime and control, rather than looking at other issues affecting downtown such as gentrification or the lack of outlets for artistic expression by youth in the Grand Rapids area.

Nazi Graffiti in Grand Rapids Tied to White Supremacist Movement

A recent wave of Nazi graffiti in downtown Grand Rapids is tied to the organized white supremacist movement according to research conducted by Media Mouse. The graffiti, primarily consisting of swastikas and the letters “WAR,” is connected to the White Aryan Resistance (WAR) movement as well as a new group that appears to have formed in the Heartside area, the Heartside Boot Boyz. The Heartside Boot Boyz graffiti is accompanied by either a swastika or the logo for the World War II era Nazi Schutzstaffel (SS). The graffiti is part of an increase in neo-Nazi and white supremacist activity in the state of Michigan over the past two years. In April, the neo-Nazi National Socialist Movement (NSM) held their national in convention in Grand Rapids and a national rally in Lansing. The NSM has been active across the state, including in Grand Rapids, conducting a variety of leafleting and recruiting actions. The National Alliance has also been active in Michigan, as has the Council of Conservative Citizens, a racist group that has organized against immigrants and in support of the anti-affirmative action Michigan Civil Rights Initiative (MCRI).

However, unlike these membership organizations, less is known about the activities of White Aryan Resistance and the Heartside Boot Boyz. White Aryan Resistance is a neo-Nazi and white supremacist organization that formed in the 1983 by former Knights of the Ku Klux Klan Grand Dragon and influential racist Tom Metzger. In addition to being involved with the Ku Klux Klan (KKK)—work that placed him in prison for 45 days in 1982 for burning a cross—Metzger has been involved with the John Birch Society and was ordained as a minister by the New Christian Crusade Church, a church involved in the white supremacist Christian Identity movement. White Aryan Resistance, while less influential than it once was, has long been a major force in the racist right. Metzger was one of the first white supremacists to organize racist skinheads in the 1980s, has been involved in the international skinhead movement, has organized extensively within the United States’ prison population, operates The Insurgent self-described as the “most racist newspaper on earth,” has made extensive use of new forms of media (computer bulletin board systems in the 1980s, public access television in the early 1990s, and the Internet in the mid-1990s), and has articulated a form of fascism known as “Third Position” that is neither rightist or leftist, rejecting both capitalism and communism. This “Third Position” ideology seeks to overthrow the United States government and replace it with a nation built around a white supremacist ideology, while also distorting leftwing politics, with White Aryan Resistance describing itself as revolutionary and supporting “white working class” militancy including opposition to United States military actions abroad, supporting union activity, women’s rights (to a certain degree), and advocating for environmentalist policies. Of course, the racism is obvious in Metzger’s Third Position fascism, with the Nazi imagery, racist cartoons and “jokes,” and declarations that “WAR is strictly racist” and that race is the primary issue. However, despite its obvious racism, Third Position ideology is a serious threat as its adherents often attempt to organize working-class youth directly while many left or “progressive” movements ignore such populations, while white supremacists ideologies appear to provide a potential outlet for their anger.

The strategy of White Aryan Resistance and Tom Metzger is one that has both the potential for and a history of violence. Beginning with his work in the Klan in the 1970s, Metzger led his followers towards violence by organizing armed Klan patrols to capture undocumented immigrants along the United States-Mexico border. Metzger organized an armed “security” force that operated for the Klan and clashed with police and anti-Klan demonstrators. The Anti-Defamation League asserts that Metzger also trained Klan members in guerilla warfare and paramilitary activities. The rhetoric of Metzger and his White Aryan Resistance movement, whose The Insurgent newspaper bears the slogan “the most racist newspaper on earth,” has occasionally incited adherents to violence. Perhaps the most famous case was in 1988 when a skinhead gang in Portland, Oregon, murdered an Ethiopian student after being trained by a White Aryan Resistance recruiter. Metzger praised the incident, claiming that the skinheads were doing their “civic duty” (source). Metzger was eventually found responsible for this killing and a jury awarded $12.5 million in damages to the family of the murdered student, a fine that Metzger continues to pay. Metzger has also praised actions such as racially motivated killings by individuals.

While the Portland case reduced White Aryan Resistance’s influence, Metzger has continued to develop it into a loose network for white supremacists and still advocates a violent white supremacy. However, instead of continuing to function as a membership organization, Metzger and White Aryan Resistance now advocate “lone wolf” attacks by racists against the system as part of a “leaderless resistance.” This activity, which cannot be traced as easily by law enforcement officials, has become prominent in some areas of the white supremacist movement, with white supremacists adopting the idea of individual or small group activity in order to avoid state repression. White Aryan Resistance also urges white supremacist activists acting under the White Aryan Resistance banner to never talk to the police and posts tips for dealing with the police and avoiding state harassment on their website.

Grand Rapids Police Arrest Two Graffiti Artists

According to extensive reporting in the local corporate press, the Grand Rapids Police Department (GRPD) recently apprehended two graffiti artists in the downtown area. Although the two are both only 17 years old, they are facing possible jail time and restitution after admitting to twelve different tags around the city that the allegedly resulted in thousands of dollars of damage.

The media has fully accepted the police department’s view that graffiti is a plague on the city and that the art form somehow threatens the fabric of the community. While it is often difficult to defend the specific actions of graffiti artists, some of whom occasionally chose to write on questionable targets such as the offices of non-profit organizations, the police department’s claims that graffiti threatens the community are ridiculous as the minor forms of primarily apolitical property destruction make no direct threat on the community. In response to recent arrests, Lieutenant Ralph Mason of the GRPD was quoted on WOOD TV 8 as saying that “we’ve got to send a message that Grand Rapids is not the place to do this,” and as was the case last winter when the GRPD promised a “graffiti crackdown,” the idea of “making an example” of the arrests has been widely touted by the media and the police while people interviewed on WOOD TV 8 praised increased video surveillance as a graffiti deterrent (related: map of video surveillance cameras in downtown Grand Rapids). As has historically been the case with reporting on graffiti, the media has willingly adopted the GRPD’s view that graffiti is an attack on property that is “not fair” and is costing property owners a considerable amount of money just because the artists “get a rush… putting markings on walls, damaging property,” according to Lt. Mason. Moreover, the questionable choice of tagging the buildings of local nonprofits has created a situation in which graffiti artists are able to be pit against the downtown community and thus their arrests garner considerable media coverage while more substantial issues, such as the gentrification brought on by upscale development projects, are being ignored.

Aside from highlighting the local media’s penchant for sensationalizing crime, a cursory look around the city and at the Grand Rapids Graffiti and Street Art web site show that graffiti and street art in Grand Rapids has been largely dormant over the past year. In addition, the artists’ unnecessary confessions and subsequent jail threats shows the need of all people, whether knowingly breaking the law or not, to be fully aware of their rights, particularly when arrested and being questioned by the police. According to the American Civil Liberties Union:

You have the right to remain silent and to talk to a lawyer before you talk to the police. Tell the police nothing except your name and address. Don’t give any explanations, excuses or stories. You can make your defense later, in court, based on what you and your lawyer decide is best.

For more information on your rights when dealing with police, visit the ACLU’s web site on police practices and consider carrying a copy of their “know your rights” card.

Poster Pasting Action Draws Attention in Grand Rapids

don't buy corporate

For the past few weeks, telephone poles in Grand Rapids’ northeast side have been covered in political posters. Rather than advertising a specific political candidate, the posters have generally promoted what can at best be described as a “liberal” political point of view. The posters, the majority of which are simple 8.5×11 black-and-white photocopies, contain a variety of slogans and facts relating to international and national events. Their message ranges from the vague “evolve” and “start cooperation” to specific posters about the killing of civilians in the war on terror and the United States use of torture. While it is impossible to evaluate how effective this particular action is, given the size and frequency of the posters, it is likely that many people have considered their message. Moreover, at Tuesday’s Grand Rapids Public Schools’ board meeting, board member Cindy Mueller cited one of the posters reading “FEAR: False Evidence Appearing Real” as a way to dismiss critics of the GRPS school closing plan. This mention suggests that perhaps the messages on the poster have successfully reached a large number of people.